"Physical Effects of Improper Dress It was the adversary of all good who instigated the invention of the ever-changing fashions. He desires nothing so much as to bring grief and dishonor to God by working the misery and ruin of human beings. One of the means by which he most effectually accomplishes this is the devices of fashion, that weaken the body as well as enfeeble the mind and belittle the soul. CT 303"
"What? know ye not that your body is the temple of the Holy Ghost which is in you, which ye have of God, and ye are not your own?"
While not a direct quote, the idea of the body being a temple and the devil seeking to destroy it through harmful practices (like improper dress) creates a thematic parallel. The connection is present, though not as strong as a direct allusion.
"Christ has warned us against the pride of life, but not against its grace and natural beauty. He pointed to the flowers of the field, to the lily unfolding in its purity, and said, “Even Solomon in all his glory was not arrayed like one of these.” Matthew 6:29 . Thus by the things of nature, Christ illustrates the beauty that heaven values, the modest grace, the simplicity, the purity, the appropriateness, that would make our attire pleasing to Him. The most beautiful dress He bids us wear upon the soul. No outward adorning can compare in value or loveliness with that “meek and quiet spirit” which in His sight is “of great price.” 1 Peter 3:4 .... CT 303.3"
"And yet I say unto you, That even Solomon in all his glory was not arrayed like one of these."
Ellen White directly references Matthew 6:29 in this passage.
"But let it be the hidden man of the heart, in that which is not corruptible, even the ornament of a meek and quiet spirit, which is in the sight of God of great price."
Ellen White directly references 1 Peter 3:4 in this passage.
"And why take ye thought for raiment? Consider the lilies of the field, how they grow; they toil not, neither do they spin:"
EGW quotes Matthew 6:29 directly and builds upon the theme of natural beauty versus outward adornment, making it more than just a thematic parallel.